Thursday, June 19, 2008

Spanish Translationquieres




"The problem, my friend, is that we evaluate people not by what they are but for their tastes."
"The issue , Augustine, is that you come riding with an obsessional neurosis from childhood."
With these two phrases of similar start my marathon culminated week, where I had a partial-note Psycholinguistics: Saussure is not summer reading, "a work The Idiots by Lars von Trier, from perspective of Deleuze and Guattari, and visits to a patient who lives on the outskirts of Montevideo.
The first talk was the result of a telephone conversation with a friend and the second occurred in my psychoanalytic session on Friday. Apparently different, the two end up talking about it. No turning
from my three years I have been collecting things. Chicanos In those early years, a friend of my father used to buy a Thunder Cat Ghostbusters or whenever he visited my house. Within a few years I had almost all the dolls in this series, confirming through a catalog that was on the back of the box from them. The first letter I learned may not have been the A of my name, but the X that marked the toys he already had. To that you were adding the Superfriends, GI Joe, that I'm very excited, "Ninja Turtles (always wanted to have the Tecnódromo , but Uruguay was not sold, and if it were, it would have been a kidney) The elegant Subbuteo and the insane Dragon Ball Z and the Masked Raider-result of the passage of my father for Japanese football. More pro
collectors often keep their action figures in their respective boxes and missing a lot of value to be extracted from them. However, I did not reach such extremes, playing well with them. A feature my particular fondness for toys was that, unlike my colleagues, whose rooms looked like a head full of Hiroshima and members of action figures, beyond giving him a tremendous use, very few have been broken everywhere in this time.
time ago my mother was talking to my girlfriend and talking about illness, death, old age, etc. ended by saying "to me what worries me is the mess would be if I died" . Is a comment that, beyond the tragic, is extremely funny, and certainly a nice postcard from the obsession with the order of my mother. As the powerhouse of the cause giving significant transforming energy reality, my mother designed a certain order in my increasingly long shelf, separating the dolls by category, size and requirements, the most feeble position used to be leaning against the wall, for obvious reasons. Some years later albums figures come, the Pepsi Cards, Dice Roll, discs and books, and eventually all those dolls went to a trunk, but somehow what remains of what is order, as reincarnated spirit persists in the various objects that parade in those shelves.
Undoubtedly, my greatest obsession is the discs, so far as to want to buy the Velvet Underground and Nico , when my sister and have it on your shelf next room, just a few meters from my room. No mere exhibitionist impulse, each disc contains behind his box of plastic or cardboard, encapsulated a moment, like those prehistoric mosquitoes solidified in amber, carrying in their DNA traces of a past time and place, inaccessible by other means . I take Radiohead Pablo Honey, and I remember the sunny days that ended up on my shelf, the bus journey from the cemetery of the diving (which had just witnessed the burial of my grandfather) to the Punta Carretas where I bought it with expectations that would collapse to the second or third listen. I take Daydream Nation, I remember the taste of Salsa Valentina Lays with the teenage angst late on a journey that trip was more than exile. I take the One to one and so on, and I remember the fierce competition between James and I to see who was buying it before, retention in customs which delayed the arrival of the disc, the Santiago side of me drooling while showed in his hands the portrait of Peter Dalton eating brains, without letting me even touch it. Volume vinyl Love songs for patriots, I remember the feeling of knowing you would get, and that Saturday morning that I found in the troughs of Ernesto, after a fateful part. And I remember even those other discs , of \u200b\u200bwhich not even like to bring to mention, also purchased in the most variables possible. Eight years ago he showed the 3:47 minutes of a track to a friend, put your tube against one of the speakers, sharing that finding as if it had struck oil after a bullet on the floor and today I find that hard watching from the shelf and I answer your look with a loving shame.

Brunomilan few months ago I wrote about the history first compiled, course by which almost everyone born in the eighties we ever. The fact that 90% of our teens' favorite musicians are going to have to go through their trials from Nuremberg to our twenty to twenty-five years is an almost scientific, but beyond that, as noted earlier, one does not may end up hating those records, since the tastes are supported by a scaffolding of their fanaticism dirty past.
In that post, as all we were getting the dirty laundry in the sun, I decided to search through tapes compiled some of my teens. At that time the Internet was seen as entirely a matter for pornocos, UFO hunters and fans of Command and Conquer, leaving the ability to go quite musical material out of the question. Beyond that there was Napster, discharges are used to pass the speed of 5k per second, and download a track of six megabytes was a task requiring much patience, to say the Buddhist ataraxia. For this reason, the method was the recordings made by friends, usually disintegrated in salads, with songs that at times overlapping, mingling with old recordings, or simply disintegrating. I was struck by the intensity of fear about the resurgence of the culture of single, circumstantially driven by the Internet and downloads frantic phone. If there was a time single-oriented, it was those years of the cassette in that a friend recorded a song you amputee from the rest of the disc, sometimes toiling directly from the radio, without even knowing the artist, much less the disk in question. I remember especially the case of a fellow Englishman to record a song Kiss unplugged approached the microphone of a tape recorder to the TV, putting rec and capturing three-quarters of that song she loved. Even in a part of Ace Freeley only be heard ringing and a dog barking Rottweiler that my friend used to walk (or walked it to him, considering the dimensions of the skinny hobbit.) Several of my music-loving proto-group Institute of liked this issue and made some few copies of that tape. Calco on tracing on tracing. It's funny to imagine what should be the end product of all this, possibly a grainy paste noise, with some recognizable verses and choruses scattered emerging as appendices. But yes, the true culture of the single was unconscious at its peak in those days, where consuming it all we could, in the most irresponsible, immediate and unorthodox that was within our grasp.
now review and at that tape and plastic rhizome meeting a few of these compilations, a predominantly romantic songs to listen at night, one with loose items Pearl Jam, one titled "bizarre collection of songs recorded by Oliver" , with some tracks from Marilyn Manson and Chopper (yes, Chopperrr), among many others like them let down (and that includes to certain bands unforgivable, I know, But we we're young and innocent )
Among many some listed on the reverse of that tape is a special that catches my attention: Live. Now that I think, that was a disconcertingly like original. Because it was not simply that I liked. Not that I had hung with Selling the drama, or some of those few hits they had in their hands as majugas in boiler. No, it was a true fan of the band. I put the cassette, listen to the issues and beyond the bare some uncomfortable falsetto and lyrical platitudes with many wave Krishnamurti for dummies, I acknowledge that, perhaps moved by a certain nostalgia, some how I still like his subjects. However, the really strange thing is that I never met anyone who liked the band. In eight years the closest thing to a fan I met was a faculty fellow in the guitar could interpret some of the Live issues, not remember where he learned.
Live The issue is intriguing to find someone to be declared fan of them is strange place for someone whose favorite band is Nurse With Wound. As the latter belonging to an area reserved only for music lovers in intensive care, Live playing blind man's buff in that area of \u200b\u200btransition between maintream and indie, the vulgar and the refined, not good enough to enter the annals indisputable rock, nor bad enough to generate some kind of bizarre cult. Even not have a particular sound that identifies with the times, may be a band of the nineties as well as of the eighties. No, Live is in Sarajevo, an asymptotic place where there is no edge to fully tap anywhere, being the result be any by all sub-genres. And that, for fifteen years Augustine knew you spend countless nights of listening, it was very good.
One of the biggest fears for emerging music lovers that band was precisely that he loved became popular. Now that I think was not so much the fact that many people liked, but whom he liked. Something you would like a considerable number of people, except the axiom Beatles or the Rolling Stones, "was something suspicious, and that bulk of people was composed of rugby players or ex tarimeros, was the confirmation that the band had failed as candidate identity formation. But while things were maintained controlled and special sintiésemos us, there was nothing to fear, and certainly meet with someone who was a fan of Radiohead, The Cure, or the band that one would like to be a bond of brotherhood automatic.
I remember the first fan of Radiohead I met in my life. In my generation we were few who knew Radiohead, much less those who followed him as unconditionally as I do. Women, meanwhile, did not seem to like nothing specifically, and something like it used to be a band that liked their boyfriends, or any band on the radio that had a redundant and absurd incidence comparable to the wedding of Wanda Nara in the Argentine media.
I had taken several days to draw a shirt entirely lined with letters, e logos iconographic imagery of the band. He had even made some caricatures of Thom Yorke and Johnny Greenwod in each of the sleeves that even at this stage I still look convincing. The place: The song party, a festival held annually in Los Marist bands Guns'N wannabes of Roses and Candle pig. It was the third version of Sweet Child o 'mine at night and some of my friends went to the bottom, while I was listening to the dull wannabe Slash, moved by the morbid mood to see how many times the blunder. At that time was a round zero with women, and beyond that there were some pretty cute gals few around me, the tradition seemed so inevitable failures and naturalized that I had neglected the issue of release. As I said, I was alone and watching how the band finished playing and asking for the time when I felt a fingernail to touch my shoulder. I turned to my side and then I saw. It was a rather pale chick with a black headband hair pushing her face and black-framed glasses. It had a flared coat, those that used synthetic padded seen in the attire of the Goths, but the girl did not have the distinctive makeup, or crosses, nor any baroque style. I had been watching how she moved her mouth, dropping late to the notion that I wanted to say something. I asked to speak louder. He went to say something in his ear. I remember her cheek touching mine, and the words shouted into my ear. Do you like Radiohead? I said yes, that if he was on my shirt, but she did not hear me, so this time I had to get close to his ear, which I liked even more because I could smell him as he spoke an almost imperceptible trace of perfume. He liked Radiohead, but line drives more brit pop, like The Bends . In those days I walked fascinated with the Kid but rave about the first two albums, including the Pablo Honey , it does not really convince me at all. In addition to Radiohead liked Led Zeppelin, The Beatles and some classical CDs that were in his old house. His parents were separated, and apparently was a situation fraught with disputes and resentment. I had a boyfriend, or at least never brought him to mention, and had completed one year in San Juan, Lyceum of the keeper of the worst of his memories. I tried to follow the conversation, but ran on autopilot, giving the reason things do not even hear them at all, and trying to resume the theme of the band. The fact that Radiohead liked and would have recognized some of the logos on my shirt was a breathtakingly exciting fact, and I soon realized that I had hung up with that chick. The conversation itself lasted the repertoire of a band that I felt naturally or on stage. When the last song ended, she stood up saying that he had to find her friends. We said hello and saw how it was with that covered what was going on the knees, devising ways to get him someday, at another time, another place. It was then that I realized that we never passed the names. I had been so aware of their musical tastes I had forgotten his name. I look and ask, but this was going to be heavy or cumbersome. I remember back home, a duel of ten blocks in which ideábamos with my friends to find ways of making it. I lay unable to sleep and listening to The Bends , imaginándomela listening to that record it right then. It was in Fake Plastic Trees that lit the room. I pulled out of high school yearbooks, reviewing one by one class of 98 ', 99' and 2000 '. At his anonymity, his search was complicated, and at first glance there was not found. As I was paying almost found it like a diver without Wally striped, lost in the flood of hormones 3rd C. His hair was long and matted, more brown than the short, straight and covered with a headband that had been at that concert. His clothes were different, a thick green shirt, blue jeans with contrasting with the monochrome synthetic that night. It was there that I knew your name. I even get your phone, via a friend who told me she was with family problems and giving ketamine quite often, but between my ineffectiveness and lack of good excuses to call, I ended up forgetting his name.
Now write this and try to acordármelo and certainly could dispel doubt consult with only one directory, but then I realize that I prefer to leave well as Radiohead that girl I met my sixteen years.

Over time and with the opening of certain circles one gets to know people better suited to their tastes. The bulk of my friends high school students are characterized by a series of similar interests and inclinations, whether in music, film or literature. At the same time, the handicap is almost inevitable that someone is a chick that says you have posters of Axel in his room, or a faculty colleague who claims that her favorite author is, let 'Jorge Bucay ...
However, one is realizing that people with similar tastes, and above all with the opposite sex, although usually some extra balls for the relationship, is quite misleading in terms of sex or love.
sickly moment in my Cortazarian started dating a fan of Rayuela. It was the first faculty, none knew no one and we became friends automatically (just because we met had a copy of the book under his arm everywhere he was). The book was truly a bridge, plank that crossed the gap connecting the two apartments, the pebble that made us move boxes. Then we started dating. However, over time I realized that she was hanging with me, but I was hanging with the image she had of me. It was only after cutting with it I realized that we had engaged in both the book and its characters in the relationship did as an interpretation of Oliveira and La Maga with inauspicious results. I had to give me a few times the head against the wall to realize that seem more romantic than walking without me but knowing that this goes to meet , Oliveira is a very CRA to say, unless someone very optimistic We all know what happens to him in Chapter 56. Some effects
strangers who were not contraindications for culture is all that jive or cool indie autosuntenta that today, but based on filing its edges, be simplified to mere forms, gestures and poses. The concept is diluted in the logo, music myth or gossip, "and the indie self-referentiality becomes a mere nod, if not a tic-a product or product that tries to fill that grit emerging new judges in epidermiz the market (and if not, see the über-cute indie Juno). In short, the old story of an impulse packaged and sold in series ... nothing to panic.
However, before you see the Warhol banana stretched by the ignorant boobs quinceañeras Name such as Lou Reed and John Cale, a fact that happened to me could possibly have been the beginning of the end.
When I was in school first went to get me a photo card required for early classes. After reluctantly battling with a photographer who wanted to be Mapplethorpe, got within a five copies of the one I had liked and I went over to the box. There was a queue of about four people, and I soon noticed a very summery blonde who stood before me. I had a Hawaiian, a muscular and a white skirt to the ankles, with some few of those that are flown on the fine line between hippies of cool and dirty. Her hair was straight, falling straight to the shoulders tattooed bikini white for a intransigent. Thus, in one of those is a ponytail and neck in that sector both Onetti haunted him, that little piece of neck where the hair is not hair, I see the symbol of
Einsturzende Neubauten!
That was disconcerting. All ideas that had made me the woman I was shattered. I tried to hold back for a few minutes, but inevitably ended up giving to my ecstasy of emotion, hormones and snobbery. I went, and from behind I said "What a great
Blixa Bargeld ...
La tipa I said" WHAT? " as if I had said a compliment wave with that ass shit I invite you to my house in German.
The talk afterwards was very different from the exciting fusion of souls that I had imagined having you in several minutes to explain that which her neck was not a tribal pattern, and its Floripa tattoo artist must have been a great guy wave.


Epilogue:
had rented shell, greatly doubt it was good in the face of such gil that appears on the cover of the DVD. In any case, had rented a little to catch up on how the film now Uruguayan, and a little to prosecute in a civil way my sadistic instincts. Estrenábamos DVD player and we got the stove to protect us from cold. Mary had worked ten hours, and the likelihood of them being low in the course of the film was more than possible. Without much ado we set play.
The music you hear quite low, and in offices in predominantly pale colors. Peter is preparing for an important job interview. Then appeared Camarotta, which apparently was the protagonist's coworker. The story had run its normal course, except for one thing: not heard dialogue. No, not a word. Every so often listened to music, a passing car, the voice of the protagonist, but all that happened between the characters was seen as see a couple arguing in the front apartment, with no idea of \u200b\u200bwhat specifically is being talked about . It was about five minutes that Mary drew attention to how rare it was that however much you see the lips moving, not registered any dialogue. Academicism taking some of the trunk, I said to Mary that was really an interesting movement to propose dumb and open dialogue, in which the viewer fill in guestalts in his opinion, consolidating many versions of the film as a spectator. Each one could mentally create dialogue history, and so would end up as a metaguión co-written by the thousands (?) Of viewers would see the film at the cinema or at home. Mary endured a few more minutes of talks dumb, and eventually wound up wondering if he was sure if there was any problem with the cables, or TV. With self-demarcated replied that in any case, were the ideas of the director, and that something interesting had it all. Maria snorted and ended up sleeping a few minutes. I was focused on sculpting go fictions were created between those empty spaces and dumb. However, about twenty minutes I started to realize that I was uncomfortable. Understand the intransigence of the principal modern interior, but after a certain time, the task of filling started to be exhausting. It was there that I came out of that scene and go to the menu section where you could choose the audio format. Then I realized that the film had been all the time in 5.1 format, where DVD new device could only record 2.0. I made this small adjustment, and then heard for the first time in the movie the voice of Gonzalo Cammarota. Literally flushed, reboviné and began to see the film from zero, discovering the real dialogue that my snobbishness guestalts and tried to cover.
The film turned out to be not very good, but not as bad as me foreshadowed. Mary woke up just when they were the credits. I wondered what had become of the film and decide not to tell you about the little gag technology, saying that about forty minutes just displayed the dialogues. Mary says "plunger", and before I could invent a defense or excuse cinematográdica rambling, closes his eyes, saying a few words pasty entredormida I can not decode. It is here that seeing her asleep, curled up on the couch I realize that things how are you remind me why I'm ennoviado with it.

Monday, June 2, 2008

Wart Turns Dark After Freezing




Cumtemporary Art "in the nudity, everything is not beautiful is obscene" Robert Bresson


Ando reading Putas killer, Roberto Bolaño, a book that when I was about fifteen leafing always concerned for the bold title and legs wrapped in latex of a possible prostitute, whose face was not developed. The recent fever Bolaño-at least I believe some booksellers Montevideo, "I performed it on three sides:
1) In a country as ghoul as ours, the reading of a recently dead is often more attractive than the bland living bodies
2) Beyond the elements of the vaguely called "high culture" that abound in his stories, there is a certain self-referentiality that fits pop While the relatively new pop profile of Montevideo, this rambling illusion that we have tried to believe some a couple of advertisers today
3) The guy writes well.
But Bolaño's not really what I want to talk, but rather the Pajarito Gómez, an overwhelmingly interesting character that appears in the story of Lalo Cura foreshadowing. The story told in first person by a possible drug-thug or hood, no one knows for sure, is time on the world of pornography, but beyond that, social ties thicker than blood, more mystical than the sum of parties to certain people, the possibility of finding the sublime to the most unthinkable ways. The narrator is the product of a union between a preacher as crazy as combative and a waitress who works occasionally as a prostitute. No sooner born, the preacher's name disappears, Cura comes precisely from the way they called the mysterious type, and the mother of the child enter the world porno-presented with touches almost surreal prefigured by transcending the idea of \u200b\u200bthis as the last ring of hell. It is interesting how you present the whole filmmaking process, form a kind of family, which includes the producer, actors, actresses and the same Lalo, often playing with some geese and breeding dogs in the background director from home. Years pass and Lalo ends accessing the films starring the mother, but beyond where the situation as a hot show and traumatic, the narrator describes with passion certain movies, even the most fucked up, including a call Pregnant fantasies , which I do not need to specify where to comes hand. The point is that I ended up joining the narrator's fascination for the plot of some movies that you mentioned along the story. I quote the summary makes the Barquero movie:


"(...) The girls run through landfills and roads deserted. Then he sees a wide river channel waters. The Pajarito Gómez and two types play cards illuminated by a candle. The girls arrive at an inn where the men are armed. Later they make love with everyone (...) The bird Gomez is the boatman, at least everyone calls him that way, but does not move the table. His letters are the best. Marauders comment about what well he plays. How well it plays the boatman, lucky has the boatman. Slowly begin to run out of food. The cook and the kitchen tap on the martyr to Doris, penetrate handles huge butcher knives. Hunger dominates the inn (...) While the men are falling sick like possessed girls write in their journals pictograms desperate. Overlapping images of a river and images of an orgy that never ends. The end is predictable. The men dress women from chickens and then passing them through the ring they eat in the middle of a banquet nimble pen. They are the bones of Connie, Monica and Doris in the courtyard of the weekend. The Pajarito Gómez plays another hand of poker. He is lucky tight like a glove. The camera is placed behind him and the viewer can see what cards leads. The cards are blank. Over the corpses of all the credits mate. Three seconds before the end of the river changes color, dyed jet black. "





Excuse me, but if there would see that movie now. You try to project it mentally and that is a bloody stew Richard Kern, David Lynch, Armando Bo, Kenneth Anger and Cannibal Holocaust. Are those movies that are seen as soon stay in the viewer, can be loved, hated or feared for eternity, but never forgotten. It's like a major scar, one can not make judgments about it, just know it's there and is already part of him beyond what we think or want (I write this while reading a famous pit that I liked as it is on my forearm left). Beyond the explicit sex-that is, some gals penetrated by a butcher knife handles do not fall precisely in the PG category, for the commonly held notion that there is pornography, what is far from what we usually expect from a film porn, sex is generally summarized unconnected scenes with introductions of not more than five minutes in which a schoolgirl (usually played by a veteran with pigtails ) seduces her teacher over a period of detention, or something. The worst thing is that you may be right, however fleeting pleasures porn odds culture offer us many of the films of the black side of the valley, and it is unusual to create a certain pattern, or even weather, and certainly lost a lot of the eroticism the scenes, looking like performances, rather than sexual gymnastics. However, not always the case and certainly in the past, underground film, the gore, the films by class pornography intermingled, with several fist knuckles counterculture was in the nose or if you will, the ball-the American establishment. As a late example of this is the cinema of transgression , with the films of Richard Kern or Thessa Huges, showed that while explicit sex, were not simply so that some anonymous viewer seeing a hand come down on your home or movie desert (although the odd little patient and you must have done), but such an impact that eros and thanatos to become a very dark and very oily pasta as the first film. The story
Bolaño, beyond inclusion this enigmatic scene of the letters referred to Pajarito Gómez as a man beyond his eighteen inches, a measure as insignificant as a meter seventy in the NBA, had a mystique that mesmerized, generating a mixture of fascination and fear . The way Bolaño describes the scenes as well as personality and physical Gómez, prompted me to write this post, because some beauty to rescue, or at least, a certain magic that has the porn industry, such art defense against which most people simply react qualifying this as a mere snobbery, or masturbatory fascination of a geek porn terminal.
After all, one does not wonder that those films are not considered good, which can hardly come to be-but they are automatically discarded and not have a place in the hearts of certain people, at least in Uruguay, as well I have also really bad movies like Plan 9 from outer space (B movie elevated to cult film), or Showgirls.
But to talk about porn, forget about Jenna Jameson, Raven Riley, Jayden James and Tera Patrick, and return to the top, or rather, back to my principle.
say I'm not surprised that the mapping of my existence begins libidinous, not everyday, but for movies (Saving the details of infant oral drives and the whole bit psychoanalytic). Through fourth year of school I hardly interested in women, and I certainly liked drawing them to talk to them. Of course, there was some other girl that I liked, but between my bad luck, lack of tact and a certain childishness, that was no man's land . However (and knowing how fickle they are often the files from my memory), much of that changed in one of my summers in Atlanta, where I heard for the first time Last Tango in Paris.
the desktop was a roast and my cousin Luke and I were picking tomatoes a gratebus while my parents, uncles and grandparents were fed one of those large table talk. The older men were willing to talk about strong scenes (the common euphemism used to refer to my parents' sex scenes) film. At that time had not spent much of the wrath of Instinct (we're probably in 1994, and the film released to theaters in 1992), and the famous opening scene of Sharon Stone shrimp was circulated and common currency for all present. However, my grandfather began to exhibit certain scenes that had caused a furore at the time, leading to mention a scene from the legs of a woman in a rice (that recently in my seventeen recognized in the Silvana Mangano of "Bitter Rice" -of course, sexual fascinatingly) and Last Tango in Paris . He delivered that enigmatic name was enough for all the major nodded and my father found out in the hammock, telling me to go to bed. I was a very obedient boy, and went with Lucas to the bunk, wondering what was behind that film. A few days later, on a fishing trip I asked my grandfather what was Last Tango in Paris and he replied, equally tight, it was a very strong film. Certainly was not long after that conversation to actually rent the movie (and know the various uses and properties of butter), having spent between half many films that I burned the ball, as Sliver and some of the Coca Sarli or Shannon Tweed but certainly the Bertolucci film was the starting point, as a myth that started to operate gears that have never before been put into operation.
The first porn movie I saw, without knowing more, without even knowing what was really pornography, was Deep Throat . I was twelve and I thought that having seen the Emanuelle Laura Gemser already knew everything there was to know about sex on camera. Some colleagues of mine had told me in the house of Renato, a fellow Brazilian, had a channel called Bandeirantes, where every Saturday they spent much more zafadas films than those used to give in Space. I do not believe much, and certainly the few times I went to Renato, the family had demarcated nocturnal habits that prevent us from dispatch of this course feast of flesh could be seen only on TV in the living room.
One afternoon I went to my empty house to get some socks in the drawer of my father. Among the clothes from the drawer were two videotapes, heavy, such that in certain speeds can accommodate up to eight hours of movies. The inspected, tried to find some sign that betray its contents, but no, two cassettes were black nakedly, without any recording of any kind. I waited a few evenings to see the material. The first video, lighter weight, it was an erotic film in which two couples exchanged a series of misunderstandings interspersed with games and much-too-masturbation. Was quite good, but it was nothing that had not seen before. However, the other refused to show video content. In the video of my parents worked, and myself could hardly glimpsed some images that do not shed much information on anything. I returned the video to the box, tried to keep the scene intact, thinking that my father would find out for eight inches of displacement of a pair of socks or underwear. It took several days and when the house was open again I started to see this video. I tried everything, but none of the VCR worked, and thinking I should be a standard problem, I decided to take the back of the wardrobe a moth-eaten device that served us in Mexico, but not here. I tried to connect as I could and got the video. It worked. A mustache appeared on the scene, a guy who did the captions called as Dr. Young. Did not understand much the plot, now I think I just was nervous or excited, or both, and put ffw to stop and see what happened a few minutes away. It was there that pressing the green Play button appeared full, almost daring to cross the screen, a giant penis, which at first I thought that could only be a prosthesis, or something. The fact was that one freckle that appeared out of the division of Breakfast Club, all of a sudden a giant swallowed a simple member away from the bed to the TV looked like it would get a look at one. I continued ffw and discovered it was not just the penis of the mustache-Harry Reems-but they were all kind of supermen with pachydermal members than long sperm as a plant for oil extraction. Those images were stunning, and really was so amazing that left little room for pleasure. Was constantly weaving in special effects, including the possibility that the penises were hollow cylinders with a pump system that could control the look of the famous directors jets falling on the face of the actress. As far as I thought, something quasi semen was toxic, and the possibility that a woman swallow that was as improbable as disturbing. As promised the weight of the cassette, it contained some few films, including one about a spa sexual initiation, another of voyeurism and hang gliding (¿!) and some videos of Dr. Ruth, plus eighty capillary than the previous. Harry Reems was another that was quite dark, one in which again was a doctor - a psychiatrist here, will know what kept him so deeply entrenched in that role, "attending a psychotic with a past full of rape, filmed by a camera fascinated by the dark and fucking textures. Even poor inmate was sodomized, but not long-fucked by a nurse, obviously a veteran lesbian, and the end of the film was as open as dark, leaving the final scene of rape in the protagonist dies as a staging of his own mental disintegration, or a macabre fact actually happens.
When he sensed that someone was coming home, ran to my father's room and had everything as it was. Those sessions were something very erotic, focusing on those films as if they were some of Jason or Didavisión, jerking a own material. Once or twice a week, watching those movies, and trying to understand what they were, with most of them without subtitles. Viewed from one perspective, this cassette was a true Rosetta stone pornographic language, being a medley of thrillers, comedies, sex of all positions, and a filmography that included chips as Rocco Siffredi, Gina Lynn, Annette Haven, John Holmes and the Titanic and Loveleace Reems, the longer he talked.
Strangely, my cinephile porn has some sync with the course of the industry itself blue. Deep Throat , archetypal film which was the seminal film "in every sense of the word porn industry, may not be the best film of the genre, but the most important. To understand what the movie meant to look extremely recommend Inside Deep Throat, documentary reference to a pornographic film, ends up talking about the paths of art and history of a nation in one of their most voluptuous, ie the seventies. In the film interview with Damiano, director of the film, "Harry Reems, with gray hair and without his trademark mustache, along with lawyers, distributors and characters that took part in or witnessed such a huge event. What is clear is that the film ended up being what it is, rather than their artistic merits, for the witch hunt that began after its premiere, with Nixon and all his knights trying to censor at all costs playback film-even it was to prosecute Harry Reems, the first time you condemned an actor for playing a role. What does not kill strengthens, and as the Sex Pistols headlining the number one in Britain with the Billboard album trying to hide your list-that 1) with a blank space appears in the documentary by Julien Temple - the film came to hand-mouth and all, proving that Oscar Wilde said, that the bad reputation is better than not being known.

As I said, there are movies better than Deep Throat, as the super arty Behind the green door "Mitchell brothers film where coreaografía melts, orgies and psychedelia, with the particular beauty of Marilyn Chambers, "the Faustian The Devil in Miss. Jones Damiano -another-or The opening of misty beethoven -my favorite among all of them, a sort of My Fair Lady-budget porn, and some truly funny scenes. Even, it is wrong to believe that the first porn film Deep Throat is actually being Mona a precedent exhibited in San Francisco. John Waters, type idol if any, states that the porn industry began properly in the documentary Pornography in Denmark, a film which showed penetration, but due to be covered in a veil of artistry , had escaped the censorship neurotic land of the free. Even going further back, several authors believe that the true props on the basis of which the porn industry are the films of Russ Meyer (an old dear, who had a full roster of Cokes Sarlis willing to swim and jump and jump and jump until available on it) and the clandestine stag movies, movies about ten minutes consisted simply of a person being filmed while having sex with another-in fact, recently came to light one of these videos played no more and nothing less that Marilyn Monroe, but apparently a überonani disbursed a few bucks to get the material and not share with anyone. of stag movies took themselves chart, and Meyer, his pace and willingness to humor is funny to see a movie this guy who always reminded me of Hitchcock, because his mind in their dialogue and behavior to those of a porno movie, though barely showing any boob. The genealogical research really can be extended to wherever you want and can pass through the female orgasm Machatý Ecstasy, the statue's feet kissed by that girl in The Golden Age (film Bunuel's aroused a brothel like Deep Throat), or properly The Kiss, 1896 , which seemed more of an indecent act as filming two girls being raped by pigs as they pass background passes You're ths sunshine of my life, of Steavie Wonder. Actually the thing can be extended to wherever you want, and can reach Sade, Sappho, Venus de Milo, and counting ...
The point is that since man is man masturbation or fantasy activities have sought to fictions on which underpinned, and art always was on hand as a vehicle for such desires. However, in this way that seems more a goal to an end, the mere masturbatory act has been raised to the dignity of thing, and certainly the time between GARCH and Garche film has been reduced to convert it into a mere collection of scenes. Indeed, today it seems that in reality, rather than a degeneration, is a back to the roots, with a fascination with the extremely low budget film, or simply amateurs who do not differ at all from the stag movies of the past. Both Inside Deep Throat as The Other Hollywood: the uncensored oral story of the porn film industry (Legs McNeil's book, which is a kind of Please kill me I would be interested in porn get some day thereof) emphasize the fact that it was the eighties and cassette technology specifically what killed the porn as art. Before pornographic films premiered with similar ceremonies at the Chinese Theater in Hollywood, directors were people who wanted to be famous for what they did, rather than make a few bucks, and certainly make a movie was something that required more than Viagra, fluffers and a steady cam. With the cassette, people no longer had to go into the private little world of cinema, and I could see to stop up the movies at home. This led to the shooting requirements were lower, becoming cheaper the budget, expanding spectrum to directors rather than directors were types with little imagination that they were cutting all kinds of plot, to leave the bare story, as bare as the vulvas of pornstars parade through the lens of the movies today. If the VHS was right to privacy, the internet was discovered paradise in the jungle with a machete, with films that can be downloaded, could save the buyer the shameful act of access to a sex shop, or having to find physical hosting a secret for such films. The virtual world was supplied both needs, and in the vortex of vertigo, and broadband kbps, very few people have the time, and hard- to download entire movies, so they simply chose to shoot scenes. A non-deceiving, companies like Vivid are doing fiction, but apparently companies like BangBros and Reality Kings (the latter characterized by false realities more hearings and play with the curiosity of the audience) have become the paradigm for today. The films last twenty or thirty minutes, the time required for the busy man this can get off the fly, fantasizing a cache and removed a load off, yes, masturbation has become more properly eschatological dimensions.
If you think about it, pornography is a mini art history, condensed in just two decades, showing how he forgets the way to prioritize the goal or outcome, mainly under the imperative of money.
It is difficult to get an erection in a man, most of us going on the bus without much idea of \u200b\u200bwhy. The idea of \u200b\u200bpornography was to move it, make you sit on his penis, holding back to see what happened next. Personally, my style always got on more with the dynamics of eroticism, not because I like the graphic, yes, sometimes I like it, but because of their greater awareness of sexuality and what is really hot, at least for complex beings like me . He had already spoken on glove dissection Rita Hayworth, the nakedness of an arm warmer than all vulvas microscopically inspected by cameras that can be, and certainly more so than non-pornographic films, but explicit, such as the anemic 9 songs, which also found space for despatch in puteadas time ago. In the film, from the standards of art, when you open the path of the graphic, the results are often quite distant eroticism, with results like Sevigny blow job of Gallo in Brown Bunny, the sadistic and dispassionate Salo, or the bewildering orgy of the idiots, with the nervous pulse flmada Danish dogma. In all these cases, and I would put in the bag in the Empire of the senses, the end is, if not deserotizar the scene as being too close, they keep away from any pleasure masturbation.


Many people are strange, but the most excruciatingly erotic film that I was faced is Silence of Bergman. In the film, sensuality remains tense, so tense that seems to fourth string bass, strap on the verge of exploding on the face. I remember seeing that movie as part of a fucking sexual abstinence, so dismissed the true extent of the eroticism of the film. However, I saw again this year, and really, for reasons that are not easy to define, the film gives you back as half, and Gunnel Lindblom is a bomb, a chick that takes you from the beginning of the belt and passes you the muzzle for your own mishaps. (Come to think, away from the old obsessed with death and guilt, the Bergman-making honor to his name, really goes beyond sexuality, with films like Summer with Monica, Youth, divine treasure, or Person -with the narrative of sexual encounter not to be covered in pictures achieves a completely unexpected effect, for good measure, the Ralat the first time the Swede , via Elbailemoderno contained in the book The Magic Lantern).
But back to porn, I think that beyond the changes brought about by the change in format, there is something proper to the passage of decades and feelings of sexuality that talks about the same processing resources and objectives. In any porn of the seventies, especially those in San Francisco, which differed from those of New Yorkers to be looser, less technical and more cheerful, "was visible the casual hedonism of the time, the remnants of the hippy culture renewed still circulating at the disco, Studio 54 and the market, which still looked like a recreational drug. In the eighties Reagan appeared, neoliberalism and yuppie paradise, burying all that ingenuity in a hangover of mascara run and oxygenated and luxuriant hair. For the time there are still enduring the occasional movie, and some figures are still active, as Holmes, stunted and AIDS, but with those thirty-two inches of meat that made them think about the necessary implementation of the widescreen format, "and others take off - such as Ron Jeremy, but the thing is no longer the same. Certainly, as well the film captured Boogie Nights, the party was over and much of the family was disintegrating. Already

nineties and 2000, things is filled with glitter, the AVN become an institution and the launch pornstars best sellers, but much of the mystique is lost. It is striking how while in the eighties and seventies porn condensed all the style and audacity of the time-no shakes hairs than those of the models of the eighties, and one would just look at the clothes of John Holmes in his character Johnny Wadd to know who is seventy-on of the ninety-two thousand are few elements typical of the decade, like the clothes, which, when present, more than clothes look material props. Even the music is lost, and while in the seventies folk song or album had really beautiful "I'm not kidding, glue a listen to some scenes of some porn movies of that time and then I say," at this time there is usually no music, and when there is almost a radio on with a hip hop song, which obviously not part of the original score, and against which most of the time were not even paid the rights to its use.
The porn has taken the road that paved the market: specialization. Today, either by tube8, Pornkolt, porntube, poring or xvideos, you specify the field you want to cover and was surprised how they can be specific searches. A few clicks away, there are for the discerning palate, amateur, anals, facials, blowjobs, titjobs, tugjobs, footjobs, bukkake, creampies, ass to mouth, DP, POV's, deepthroat, face-fucking, fist-fucking, cum gaggers, cum-on-eye , dildo action, fingerin 'swallowers, squirters, sybian, solo, pussy Drillers, glory holes, monster cock, bondage, voyeur, bestiality, midget sex, busty, naturals, hairy, teen, coed, lolita, asian, asian nurses, Latin girls, ebony, Czechs, brazillians, 2 girls one cup . A much specialization as this article via I labored Le Petite Claudine, the oversupply tide people, and certainly the real taste fetish, something that only played into our fantasy as unspeakable, forbidden, or indeed vague, you end up losing to the deals that tickle our noses.
Actresses and only aspire to an industry in which they believe they can exploit their potential. For example, Naomi Russell difficult to make a film where this does not make use of his tail that makes it look like Twiggy Keyra Agustina, the Romanian Sandra Romain has achieved the miraculous feat of anal triple-something that barely hinted at in the movie as possible Orgasm, "and ... well Belladonna, Belladonna does everything, and much more screwed than anyone.

One of the clearest determinants of the decline stylistic No-economic-porn is the same lack of male actors relevant. Virtually no actor that stands out, and men tend to be reduced to panting sweaty machines, often mere talking penises, partial objects into and out of camera. Beyond the impoverished
general level, there are some things you rejoice. In a field where resources are so technical and stylistic past through the mud, sometimes that so many breaches of the rules of art are achieved true state of the art products, like examples of cinéma dissenting.
An example too great about this is contained in a post benito in fuckyoutiger, referring to the movie John Wayne Bobbit uncut . In this film, in the middle of a scene out of nowhere comes Ron Jeremy and pumped to the lead actress, with which an actor was tenienendo sex. The funny thing is that Jeremy was the same director, so you should think if that was something thought of as part of the script, or if it was a good fuck lesson to an actor who had been frustrated by their incompetence. One or another form, that, by the beaming director involvement work becomes something modern interior and meta cinematic camera that another director might be considered a tremendous tour de force . Personally, I saw the scene, I would love to see it, I'm laughing as I write this, but brings me a memory that I did see, and not long ago. It was a story prototype, a guy goes to see her fellow buffet, and treats the wife of the same, inviting him to drink, not lasting more than three minutes to be completely naked, as expected. Spend all you have to go through, and after fifteen minutes of pure chattering, the type ends on the face of the woman-I think it was Shyla Stylez, but maybe I'm wrong. The scene would be completely disposable, if not that of the blue, the camera zooms in on the model, and pulls out a penis in just a few shakes poured the liquid in the brown blacuzco back the lawyer's wife. At no time had emphasized the existence of the camera, ie, the camera was outside the diegetic universe of the film, however, nothing the same camera has a penis and a partial order if drain, breaking even more edgier the narrative structure of film.
There are other great things porn movies, including the highly complicated and creative pseudonyms, eg, the director Dick Cocks, or names of movies - Shaving private Ryan is one of my favorites, "but beyond these elements are While folk and in some cases not specifically intended or accidental, there is a new production I consider a promising idea among so flatness. Beautiful Agony
is subtitled as facettes petit mort the , and as indicated, only closeups of people reaching orgasm. Most videos are sent in an amateur way, and they do not see only the faces of the people. We do not know in what circumstances are, how they are masturbating, or that goes through your head, you see only her face in a way that sometimes hits so faithful and true to them. I leave this video as an example . There is a moment that the brunette after Finally, look to the side and smiled with some embarrassment, a genuine shame that it ends up buying one. In my case, I think that this change of view is of the most fascinating and erotic I've seen in films and pornography. Certainly, the body sensuality, under protest by the surgeons, are the eyes. The gaze is the erection of eye, they say, and if something is irreproducible and untranslatable in the eyes of a person. The bodies can tune with the miracles of plastic surgery a woman can add rubber, sharp cheekbones and momentarily overcome the law of gravity. However, the outlook does not, and is something that is saved from any abuse, falling or exploitation. The look is intune. The people behind Beautiful Agony understood that, and is credited with one of the few street lamps beyond the tunnel.

Epilogue:
A friend told me that if I write about pornography, best done with pants down, because if not, not fun. I think about it, but I can not stand on that idea. Personally I think a lot of my ideology is based on get my pants in circumstances which merit positions and subirmelos them where they expected to be low, so I'm far from being able to get to take sides in the matter. Once my psychologist told me that my way of proceeding primarily is like a collector. Possibly the greatest truths I have drawn from the therapy. I've accumulated all these actresses have all gone through my television, my VHS, my computer and my retina but for some reason the waste, I like to remember their names, to analyze its mode of action, insert them into a sort of imaginary shelf. Almost all of the eternally enduring are figures of the seventies, with some exceptions such as Belladonna (which many people asked to sign your baseball bats, and not by its number of home runs) and Dani Woodward (one of the few, who at least knows doing wrong). I think once more about it, and is a long, cold afternoon. After writing this post I mean look at my father's room, and there, as I left years ago, is the video. I'm watching the video, and then settle on a Reebok warm, feed in
Here's to Lovelace
And Chambers
And Holmes
And Metzger, and Damiano
And Spelvin
And all the strange porn heros
You know you '
re doing all right So hold on to Each Other
You gotta hold on tonight